Creating a poster and vinyl designs for an upcoming event featuring the works of Bebe and Louis Barron, I aim to highlight the creative talents of undiscovered artists in the realm of electronic music.
DESIGN THINKING
The Barron’s created the first electronic music for magnetic tape in the US and composed the first entirely electronic film score for MGM's Forbidden Planet (1956). The groundbreaking soundtrack introduced audiences to a new sonic experience, pushing music production boundaries. Their work is celebrated as a milestone in electronic music development, inspiring generations of musicians.
The creative process began with experimentation, exploring various mark-making tools and techniques to evoke the desired mood of edgy alien sounds.Typography played a crucial role, challenging me to step out of my comfort zone and embrace bold, unconventional choices. Digital refinements allowed for the exploration of different compositions, textures, and color palettes until achieving a cohesive design that resonated with the project's theme.
It showcases my unique approach to minimalism and utilization of negative space. Minimalism reflects the futuristic themes present in the music. By using this element and negative space, it creates a sense of openness and ambiguity, mirroring the mysterious and eerie atmosphere of the soundtrack.
By using dark colors, it is creating a subdued yet striking visual aesthetic that draws the viewer’s attention. The incorporation of negative space, using small dots of ink, not only adds depth and texture to the design but invites the viewer to explore and engage with empty spaces and question themselves.
This project reinforced my belief in the importance of process-driven design, where each iteration contributes to the final outcome's depth and resonance.